With their debut album ‘Starting Gun’, the Bad Flowers continue the tradition of powerful hard rock from the Midlands.
Singer and guitarist Tom Leighton tells us about the LP, spontaneity in the studio, capturing the dynamism of live performance, and misbehaving.
Continue reading The Bad Flowers are in bloom
“The pursuit of perfection in art is a completely futile waste of time because there is no yardstick to measure an art,” reasons Dan Patlansky. “What is the perfect art? It’s in the eye of the beholder, I suppose.”
The blues-rock musician is explaining why his new LP’s called ‘Perfection Kills’.
“It’s the perfect way to describe the album,” he continues, “because that was the concept I had: I wanted a more organic, raw feel going through it.”
Continue reading Dan Patlansky takes charge on ‘Perfection Kills’
As Dan Reed Network prepare to join Extreme on their UK tour, the band’s frontman opens up about their next album, his first gig experience, the passing of AC/DC’s Malcolm Young, recording new songs in front of fans, learning to be more collaborative, and why he loves ‘More Than Words’.
Continue reading Dan Reed Network get the funk out
Ahead of Bad Touch’s first ever headline tour, singer Stevie Westwood talks to us about lessons learnt on the road, why their fans are so important, their difficult second album, and their Planet Rock-playlisted duet with Mollie Marriott, ‘Baby Get It On’.
Continue reading Bad Touch are getting it on
Fee Waybill is a storyteller, and not just through his lyrics, on-stage banter, or the multiple characters he inhabits during a show. Even in an interview situation, The Tubes singer is an enthusiastic and engaging conversationalist. With each question typically sparking a free-flowing five-minute reply, over the course of five questions he covers everything from volcanoes, drugs, and headlining Roskilde, to touring the UK with Alice Cooper and writing songs with Richard Marx.
Continue reading The Tubes: living up to their reputation
Since releasing his latest album ‘Twin Solitude’ in February, Leif Vollebekk has toured the UK twice, supporting Gregory Alan Isakov and Margaret Glaspy. Next month he returns for a series of headlining shows, including a performance at Moth Club on 21 November.
Ahead of his return, the Canadian multi-instrumentalist tells us about mesmerising audiences, Neil Young’s greatest record, relinquishing control to the songwriting process, Michael Jackson’s ‘Thriller’, teaching people new words, and his “terrible Lancaster accent”.
Continue reading Leif Vollebekk learns to let go
Johanna Glaza, the Lithuanian born London-based artist who’s put her unique spin on folk music, has just released her debut solo LP, ‘Wild Sculptures’.
She tells us about walking the edge between raw and beautiful, the continued influence of Bach’s organ music, unlocking emotions through symbols, learning to play the piano, and finding her own voice.
Continue reading Johanna Glaza crafts ‘Wild Sculptures’