(Photo credit: Eric Duvet)
Black Country Communion | Eventim Apollo | 4 January 2018
Black Country Communion, Glenn Hughes reminds a packed Eventim Apollo, began after he and guitarist Joe Bonamassa performed together at Los Angeles’ House of Blues back in 2009.
Enlisting drummer Jason Bonham and keyboard player Derek Sherinian, the quartet released three albums in as many years, until the wheels came off.
“One day I woke up and decided to be an asshole,” Bonamassa admits tonight during the band’s second live show since reforming. But as the quartet storm through a set drawn primarily from their first two self-titled LPs and last year’s seismic ‘BCCIV’, the hatchet seems well and truly buried.
Continue reading Black Country Communion: This is your time
Mark Lanegan Band | KOKO | 12 December 2017
Mark Lanegan’s voice is so rich and textured that he can, and sometimes does, perform without a full band. But while there’s a purity and intimacy to the stripped back approach, there’s a real thrill to hearing the songs as they were recorded, those robust vocals paired with equally uncompromising instrumentation.
The five songs performed from far-reaching current album ‘Gargoyle’ especially benefit from a full musical palette. Brooding set opener ‘Death’s Head Tattoo’ pairs a motorik beat and rumbling bassline with muted but threatening guitars; the off-kilter waltz ‘Sister’ takes full advantage of keyboards and female backing vocals; the bright and breezy ‘Emperor’, all shiny happy guitars and lush organ swells, swings like an Americana hit on speed; the industrial blues of ‘Nocturne’ would lose its menace without the synth drums and pounding heartbeat bassline; and ‘Beehive’ absolutely needs those jangly guitars and that Peter Hook-Stephen Morris groove to sound like the best song New Order never wrote.
Continue reading Mark Lanegan Band: Still-life with roses in a vase
Calexico, who return with their ninth studio album in January and two UK shows in March, are building anticipation for its release with a new single.
‘Voices In The Field’, says vocalist/guitarist Joey Burns, draws inspiration from Mavis Staples, Bombino, Joe Strummer, and Bob Dylan.
Continue reading Calexico bringing ‘Voices In The Field’ to Shepherd’s Bush Empire
Green Day | God’s Favorite Band
The last time Green Day released a greatest hits album, 2001’s ‘Superhits!’, things were looking a little shaky. ‘Warning’, from the year before, was their first LP since signing to a major label without multi-platinum sales figures. The wave of success that had followed their breakout ‘Dookie’ was crashing. And the trio hadn’t yet released ‘American Idiot’, the decade-defining record that would become not just their ‘Sgt Peppers’ or ‘Dark Side Of The Moon’, but a hugely successful Broadway musical and a major reason their career didn’t go the way of The Offspring.
Continue reading Green Day: God’s Favorite Band
As Dan Reed Network prepare to join Extreme on their UK tour, the band’s frontman opens up about their next album, his first gig experience, the passing of AC/DC’s Malcolm Young, recording new songs in front of fans, learning to be more collaborative, and why he loves ‘More Than Words’.
Continue reading Dan Reed Network get the funk out
(Photo credit: Laurence Harvey)
Mollie Marriott has hit the ground running. Just weeks after releasing her debut album, ‘Truth Is A Wolf’, the singer is touring the UK as special guest of Bad Touch. No stranger to the country’s stages – earlier this year she supported Paul Weller and Wilko Johnson – Marriott looks and sounds totally at home in front of the Islington Academy crowd.
Backed by a tight three-piece band, she seduces those who’ve come out on a Sunday night with her majestic voice and self-deprecating charm. Able to see only her own face staring back from the T-shirts in the front row, she sings into the dark with all her heart.
Continue reading Bad Touch and Mollie Marriott get it on in Islington
Ahead of Bad Touch’s first ever headline tour, singer Stevie Westwood talks to us about lessons learnt on the road, why their fans are so important, their difficult second album, and their Planet Rock-playlisted duet with Mollie Marriott, ‘Baby Get It On’.
Continue reading Bad Touch are getting it on